Composer
COMPOSITIONS
Solo & electronics
- Les rêves circulaires (2018), alto saxophone and electronics. 9 min.
- L’air cassé de la carapace (2016) accordion and electronics. 8 min.
- Rumeurement (2015), alto saxophone and electronics. 5 min.
- Distillations I (2013-14), for violin and electronics. 12 min.
- Êtres liquides (2012), flute and electronics. 8 min 27’’
Chamber music
- Solastalgia (2022-23) accordion, theorbo, electric guitar and electronics
- Flocking individuals, unfinished stories (2022-23) for string quintet with double-bass and electronics. 12min
- Flickering Sparks in connecting tunnels (2022) quatuor of saxophones & electronics. 9 min 19’’
- 875 (2020-21), about Toxique, text by Françoise Sagan, flute, oboe, clarinet, fagot, and mezzo-soprano. 22 min
- Elles aussi sont transitoires (2021) clarinet, piano, and soprano. 7 min 45’’
- Silence, dans mes mains, à naître (2018) flute, harp, soprano, alto, violoncello. 12 min 30’’
- Ne pleurez pas insectes (2017) Soprano, violoncello, and electronics. 10 min.
- Au fil du Nu-Sense seguici d’ombra (2015) ensemble piece for 6 instruments: flute, clarinet, piano, percussion, violin and cello. 6 min 14’’
- Les rumeurs (2015), quatuor of saxophones and electronics (pedagogical piece) 5 min
Ensemble
- Errant Swarm (2022-23) 9 instruments and electronics
- Flocking (2021-22) 18 instruments and electronics
- Oikos (2020) 5 oboes, string quintet with double bass and electronics, 11min 30’’
- Mues (2019) 12 instruments. 6 min 45’’
- Closca (2016) Solo accordion and ensemble. 12 min
Vocal Ensemble
- Split Screen Vestiges (2023) equal voices choir, mixt choir, viola da gamba and electronics, 23 min
- Le dilemme du hérisson (2020) double mixt choir, 12min 10’’
Orchestra
- D'après la plasticité du vide (2017) Symphonic Orchestra and electronics. 12 min.
Electroacoustic
- Black Sun (2023) 9 min
-Etude aux mouvements obsessifs (2016) 3 min 40’’
- Dis-Till-Action (2014) 8min 30’’
- Voiles Vitrés (2012) 11min 31’’
- Reconstruction (2011) 6min 33’’
- Déménagement d’une idée (2010) 6 min
Music for Stage works
- Un certain Plume (2015) music for theatre piece with texts by H. Michaux. Collaboration with Sylvie Debrun, stage director. Recorder, narrator and electronics. Sarah Lefevre, recorder. Theatre La Commune, Aubervilliers. 11 min.
- Escarxofffes... Retrats sonors dalinians (2014) interdisciplinary scenic work about Salvador Dalí's universe, with: Shao-Wei Chou – Flûtes/ Bi-Jia Yang – Danse & Chorégraphie /Ariadna Alsina, Maxime Barthélemy – Composition & projection sonore /Valeria Urigu – Mise en scène /Ricard Prat-Scénographie. La Cate, Figueres. Beques Agita support.
- Dins hi ha dos ocells que canten (2011) (Hörspiel and scenic work version). With texts of German writer Judit Kukart. A Goethe Institut Commission.
- Màgia per a Pixeloscopi (2009), Electroacoustic music for scenic project by Carles Sora. Casa Elizalde- Barcelona, 2009 Cosmocaixa – Barcelona, 2010
Màgia per a Pixeloscopi is an experimental theatre performance that merges augmented reality and full-body interaction within a magical show. The magician uses a custom based hardware and software to create new illusions.
